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Martyn: Ghost People Review
If your child told you they were listening to the new Martyn record, you’d probably feel an initial sense of relief. The name alone invokes images of some new pop singer cheekily winking to his...
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Kid Koala At The Village Underground
As me and my fellow music snob waited in the considerable queue for the late night Kid Koala Space Cadet Experience, I tried to imagine what format this evening’s entertainment might be presented in....
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Amon Tobin At The Forum
I’ve always thought there was something missing from electronica gigs. As something of a connoisseur of the genre, I’m a little too familiar with the sight of some decks accompanied by a glowing apple...
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Loka At The 100 Club
It’s a crazy world out there. Or should that be a crazy Loka? This constantly evolving and experimental music collective played The 100 Club last week to promote the launch of their new album Passing...
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Bonobo: Black Sands Remixed Review
In his ongoing quest to scale electronica’s tallest trees and swing from the highest branches of this dense sonic jungle, Bonobo demonstrated his alpha male qualities with the release of his acclaimed...
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Slugabed: Time Team Review
Slugabed, a.k.a. Greg Feldwick, is twenty three and hails all the way from that remote and mysterious city of Bath. But now he’s arrived in London town, bringing with him a cascade of analogue style...
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Amon Tobin’s ISAM Project At Brixton Academy
Visionary isn’t a word used to describe most live music because, put simply, it’s not. The same old tired, gig formula favoured by most musicians won’t involve anything you haven’t seen or heard...
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The Invisible: Rispah Review
Band names are funny things. I always ask bands I interview about their reasons for choosing whatever moniker they decided on for their creative endeavours, but the answer is usually not that...
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